Dre, Just Blaze, Pharrell Williams, Hit-Boy, Scoop DeVille, Jack Splash, and T-Minus, among others, contributing to the album. Good Kid, M.A.A.D City was recorded mostly at several studios in California, with producers such as Dr. It is Lamar's major label debut, after his independently released first album Section.80 in 2011 and his signing to Aftermath and Interscope the following year. Dre, Jay-Z, Jay Rock, Anna Wise, and MC Eiht. The album features guest appearances from Drake, Dr. It was released on October 22, 2012, through Top Dawg Entertainment, Aftermath Entertainment and Interscope Records.
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“Stuff from the Shelf” is a Spotlight blog series in which Daily Bruin A&E reviews the albums and games that have been sent to us for reviews over the years.Good Kid, M.A.A.D City (stylized as good kid, m.A.A.d city) is the second studio album by American rapper Kendrick Lamar. Take a stroll through the mad city and you won’t be disappointed.
It takes us to a different world and feeds our need for fantasy and an escape from real life, only it’s at Kendrick Lamar’s expense our pursuit for good music is a product of Lamar’s stark reality. Listening to “good kid m.A.A.d city” as a collection gave me the feeling you get when your heart is beating faster than it should, when your eyebrows are at its peak, and when your eyes are wide open, to the point where it looks like you’re taking a magnifying glass to your cornea. “Good kid, m.A.A.d city” did much more than that for me, combining Lamar’s wittiness, absurdity, whimsicality and realness.
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It adds to the power of the song and allows time for the lyrics to soak in.Ī successful album of any genre should be able to capture your full attention and sustain it. What really drew me into the song was not his lyrical mutiny, but rather the way he split up his flow in the second half of the 12-minute song. This underrated moment serves as a backdrop for the alcoholic culture and a crisis of character he undergoes: “Tired of running,” he spits, “Tired of hunting/ My own kind.” Lamar starts off recalling a conversation he had with his friend: “And if I die before your album drop, I hope -” which ends in three gunshots before the sentence even finishes. “Sing About Me, I’m Dying of Thirst” is another song that cannot go unnoticed, in what is seemingly the emotional peak of an emotionally contagious album. This image gradually turns into one of misadventure as Lamar delves deep into thought and introspection about being good kids from Compton corrupted by situational distress and a dysfunctional environment that quickly spiraled into a drug-induced nightmare.
Visually, I imagined a group of kids driving down Rosecrans Avenue smoking and drinking orange soda. One particular track that stood out among the multitude of rhymes, chants and bars is “The Art of Peer Pressure,” which alludes to “good kid, m.A.A.d city” being played out as a short film about his life, an angle Lamar talked about in his interviews.
His narrative is cohesive and his rhymes spiteful, recounting the gang violence and criminal activity that defined much of his childhood space. He really captures his essence as both a kid and as an adult.
Throughout the 12 songs, Lamar describes his evolution from being a good kid in Compton to his self-awakened present self, more aware of the world. The album delves into Lamar’s mind, a mind often contaminated with the pressures of the world, evident through his use of altered voices featured on tracks such as “Backseat Freestyle,” “Swimming Pools” and “m.A.A.d city.” It is this same game in which real emcees and lyricists find it hard to sell records, but Lamar seems to be the exception with this album.īut it’s really his raw voice and genuine passion for the art that is magnified through the many twists and turns Lamar takes us on, in his rough and often bumpy journey through his childhood and beyond, leaving us without a seat belt and not a clue of our destination. His unrivaled storytelling abilities are what set him apart from many of the modern rappers coming up in the game. He killed his competition with the debut of this album and made me re-evaluate what a truly thoughtful rap album could sound like. Therefore, I cannot claim that I loved Kendrick Lamar’s newest album, “good kid, m.A.A.d city,” but I got pretty close. It isn’t love until you commit your mind, body and soul.
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